It’s been a while since I GMed a game (reasons mentioned before, but really, it was burnout), but I finally got back into the GM’s chair this past Tuesday night. I managed to build a reasonably campaign-length plot, worked up maps of the local village and various local players, worked through character backgrounds and profiles, and was pretty much set and ready to go. Possibly with the most preparation I’ve done in a long while (and I plan more as this progresses).

Now, we GM’s are our own worst critics, that’s for sure. The game started off with what I refer to as “the contrived set up” (though a mite more involved than “you meet in a bar and there’s a dwarf bartender”) but that went reasonably well with some basic role-playing as the players felt out their characters. There was a slightly tense moment when the party members almost shot each other, but they got past that without injury. Most of the adventure was tracking down these boar-beastmen who kidnapped someone important. Worked in a minor skirmish (hard to follow beastmen that have good senses of smell) that the party got through without any risk of injury. For the record, no matter how big you are, no matter how much you frenzy and ignore wounds, a couple of arrows in the head will do you in. We left the party figuring out what to do now that they found the main encampment and they’re outnumbered like twelve-to-one.

I say GM’s are our own worst critics since I’m not really sure how things went. Everything felt a touch slow and bit contrived to me and I really wasn’t able to gauge the group’s overall interest very well. I’m trying to attribute things to it being the first session and we lost the first hour to finishing up characters and other minutia.

On top of this, we rolled in a piece of the magic changes we’ve been working on. The time and cost pieces worked reasonably well, though we really haven’t given them a good test in a dire situation yet. The piece of it that turned out problematic was that the setting is intended to be a touch more “low magic” (the uneducated woodsman of the party nearly freaked when he was exposed to serious magic the first time), but the system doesn’t really allow itself to be tweaked that way very well. That being said, with some of the other changes that go with the ones we rolled out, I do think the final system will make magic somewhere between low magic and the super-high fantasy magic that games like D&D present.

Bah. Maybe I’m just being too hard on myself? We’ll see.

As anyone who reads the blog regularly knows I’m planning a new campaign for Tuesday nights. Today’s topic is character development woes. To play ARPS as written (and well, I’m writing it, so I should), a player is intended to spend time working on a Background and Profile (B&P; the latter detailing the character’s personality elements) before attempting to translate the character into mechanical terms. ARPS goes so far as to provide 10 DP (Development Points) as a bonus to the player as a reward.

Our game has three players. Their initial character concepts included an Elvish druid, a human knight, and a human something vaguely conceptualized as “something like Robin Hood” (and even getting that out of him was a bit like pulling teeth). The third character was intended to fulfill the thief/rogue role to balance out against the cleric/mage and the primary fighter. Since the initial concepts were submitted and approved, I’ve received one complete B&P (our wood-elf druid of the Rowan Clan), one that I know enough about that I’m simply waiting for the write-up with all the details (the second son of an Earl whose title and lands were divested by the Crown now making a living as a knight-errant), and one B&P from our Robin Hood type.

Unfortunately, our Robin Hood profile was lacking. The background ended up vague and the profile was essentially missing other than knowing the character is scruffy-looking and right-handed. This brings me to the primary topic of today’s entry.

The Man With No Personality

When faced with a similar problem, how does a GM approach the problem? There are two main issues on the table. First, the GM needs to address the problem with the player. Second, the GM needs to compensate for the lack of information when planning his campaign.

Addressing the Problem With the Player

The first step is to simply address the problem directly with the player–talk to him. Make sure he knows what the goals for the campaign are and why we’re going through the process. Make sure he knows that he’s letting his GM and his fellow players down. And, most importantly, make sure the player is on-board with the character concept. There’s a good chance that his lack of detail or interest comes from a desire to play a different type of character.

Furthermore, if the character is suffering from a lack of detail, ask the player if there’s more information he needs about the world/setting and if he has any questions. Sometimes, detail suffers for lack of enough information to build upon.

If it turns out that the player’s on board with the ideas and concepts and is simply not delivering, it might be a good idea to lay down the law a little. In the case of ARPS, this may mean allowing the character development process to proceed anyway and hope that the technical details flesh out the rest of the character shortcomings. In this case, I’d simply withhold the bonus DP since the player didn’t do the work to gain the reward. (Especially since I’ve made it clear in my case that I wouldn’t hand the bonus out if the B&P wasn’t done this time.)

In the end, however, make sure that you aid your player toward something that not only makes him happy, but also makes you happy as a GM (read: fits well into the campaign you’re planning/designing) and fits in well with the rest of the characters in the party.

Addressing the Problem in Campaign Planning

The other problem with a lack of character detail is planning your campaign. Unfinished characters mean you don’t have the information to plan out a character-centric plot line and it delays your campaign start date. This, in turn means that your players may be expecting a game on your scheduled game day, but you may not be ready to deliver one.

An enterprising GM might take this as an opportunity to try out something different, potentially running a one-shot off-the-cuff or using a published adventure. This keeps your players engaged.

The other option is to simply delay your game and make it clear that since you haven’t received final character details you need more time to plan things. Sadly, for most of us who want to put in the appropriate effort as a GM, this is the likely scenario.

Of course, if you’re planning a sandbox campaign, are planning on using more published adventures, or are simply planning a campaign that doesn’t focus on character as much, you may be able to proceed with less detail. Only you, as GM, can gauge your players and your original plans and figure out what’s right for your group.

Sometime in the last few days, I had mused on Twitter that I had forgotten how much work planning a campaign was and that I’d gone “all player.” The title of the article was something that @thefreerpgblog commented to me at the time and it just seemed so apropos that I’m stealing it.

Recently, we decided to dedicate some of our ARPS development time on Tuesday nights to a second game so we could have a consistent gaming experience (to my weekend gamers: I love you guys, but you frustrate me). I volunteered to GM the game. I had a good experience recently with a “snow day” one-shot and with all my recent writing inspiration, I felt I was ready to jump back into the fray. (Some background: I’ve been gaming for 27 years or so and I spent most of that time as DM, GM, Storyteller, or whatever it was called in whatever game we were playing at the time. In the last few years, my campaign pacing and inspiration was starting to come apart at the seams so I decided to take a sabbatical from GMing.)

This time out we decided we wanted to do some more character-centric gaming rather than focus on the world-spanning, epic plots that have been the staples of our other games. These types of games not only require the players to put more effort into their character backgrounds, but also for the GM to do the same, as well. I had forgotten how much work that truly is.

Like many of you, I spent most of my gaming career GMing on the fly having learned that excessive planning fails the second the players and the plan meet. This time out, however, for gamecraft reasons on the design and writing side, I have been reading a number of books and blogs on the art of GMing and the art of adventure planning (Robins Laws, the Kobold Guides to Game Design, Chatty DM’s excellent exposition on Robin’s Laws, Open Game Table #1, etc.). This means I wanted to it “right.”

At this point, I am spending my time on the dramatis personae for the campaign and the small town that will serve as the (initial) base of operation for the PCs. Once I have all the character backgrounds, I will work with the players to weave them into the backdrop for the campaign. Then I can spend the time working on the meta-plot for the series (campaign) and break down the plot into episodes (sessions) and focus on the specific encounters and pacing for each adventure and the overall campaign.

For any of you who have never run a game, let me tell you: this is a lot of work. Learn to appreciate your GM. For any GMs out there: I’m not sure how we fit this into our (adult) lives, but we need to not only care, but have the “GMing bug” or we would never succeed. To this, I salute you all.

Sidebar: For whatever this is worth, blogging is a new thing to me. Bear with me as I figure out how to put together coherent, thematic posts. I hope this one gets me closer; if anything, this process could turn into a series of its own. Let me know what you think either way.

Recently, we’ve had some problems with group reliability, so we’re sacrificing every other weekly development session to another game. I recently ran a session that my players absolutely loved (which was good since it was totally off-the-cuff and should’ve been run in some version of D&D) and I’ve re-gained the GMing Bug again. I previously stepped away from that because I got burned out and wanted to spend time with ARPS as a player rather than a GM.

We did some preliminary character concepts and I’m faced with a thief-type, fighter-type, and a mage-type. Nice party balance, so that should work out well. What I was missing was a setting (ARPS is a multi-genre system). We have a house system (soon to be Wikified somewhere) that we use for our fantasy games, but I didn’t want to do that because it’s what we’re using for our other game. Since I’ve been reminiscent recently, I was thinking of going old school for the setting. We’re using Greyhawk (1e materials) for our game that’s currently on hiatus (coming back late-spring/summer; this is good since I don’t especially want to lead a dwarven army to invade the Bone March), so I didn’t want to do that. I started looking at Blackmoor and Mystara with the latter definitely leading the way. In the end, though, I decided to go with a setting I had shelved a ways back.

The setting (which had the working title of Mythgar, but it stuck) was something I originally started working on for a series of books, but I always had it in mind for a potential fantasy setting. After dusting off some old documents and e-mail archives, I realized how much time, effort, and research went into it (bearing in mind that I nearly went to grad school for Medieval Studies and have an English and anthropology background) and I just fell in love with it again. Additionally, the goal for this campaign was something more character-centric rather than our recent trend toward the epic adventure in LotR style.

So, I grabbed important documents from my e-mail archives and added them into version control properly and even grabbed a new copy of AutoREALM and generated a new JPEG map for the thing. All I need to do now is go through my two paper boxes of notes and find my written stuff that’s been collecting dust.

The only problem with all this is finding time to work on the setting, work on the game itself, and do the work to develop a campaign. Oh, and keep my day job.

On the bright side, I have the first of the more-detailed character concepts in: a divested lord who’s now making a living as a knight-errant. The other two are still pending.